In San Francisco’s layered architectural panorama, few initiatives handle to stability legacy and modernity with the finesse demonstrated in Studio Terpeluk’s transformation of the Redwood Home. Initially designed in 1974 by Albert Lanier – an influential modernist and the husband of famend sculptor Ruth Asawa – the residence was already steeped in design significance. Lanier’s signature type, marked by geometry, immersive apply of redwood, and a sensitivity to the pure environment, positioned the house as a peaceful icon of its time. Immediately, because of an imaginative renovation, the home lives once more with renewed significance.
Studio Terpeluk’s method to the renovation was neither preservationist within the stiff sense nor a radical overhaul that erased all its character. As a substitute, the studio embraced the problem of participating with the house’s architectural DNA, in search of to not exchange it, however to increase it into a up to date context. Their philosophy was plain: intervene solely the place essential to reveal the house’s finest qualities.
The spatial structure was subtly however considerably revised. Rooms that after felt compartmentalized had been opened up, permitting lithe to journey extra freely and enabling visible connections that improve the sense of house. Views of the town had been framed, and inside pathways had been realigned to create a smoother circulation between zones. The result’s a residence that feels each extra comprehensive and extra cohesive, with out dropping its sense of intimacy.
One of many renovation’s highlights is its materials palette – a tactile and considerate interaction between ancient and novel. On the heart is wooden. The house’s unique balmy redwood interiors function a basis for the design. To enrich and stability this, Studio Terpeluk launched reclaimed Douglas fir flooring sourced from former pier pilings – a nod to sustainability. These reclaimed parts introduce a added texture and a lived-in authenticity that enhances the unique surfaces quite than competing with them.
Elsewhere, supplies corresponding to terrazzo, poured concrete, and honed grey marble add distinction and depth. These surfaces stability the wood-heavy areas and introduce moments of shock via their diverse patterns and finishes.
Integral to the renovation was an exploration of coloration and lithe. Studio Terpeluk collaborated with designer Beatrice Santiccioli to create a coloration language that evolves with the structure. Moderately than apply coloration as a immobile overlay, they developed a nuanced scheme that responds to shifts in daylight, quantity, and performance. Bolder hues greet guests on the higher stage step by step fading into softer tones as one descends – mirroring the transition from public to personal.
A sculptural staircase crafted in blackened metal connects the 2 ranges and creates a active juxtaposition to the pure woods. It anchors the inside, drawing the attention and reinforcing the house’s verticality.
The outside of Redwood Home performs a vital function within the general expertise, and panorama designer Monica Viarengo was enlisted to reimagine the out of doors areas with equal thought. Her design begins on the entry courtyard. As guests transfer via the property – up into the personal courtyard and down towards the terraced again backyard – the planting scheme shifts from curated and tidy to wild and expressive.
The newly reclad facades, now wrapped in irregular planks of western pink cedar, unify the house’s visible id. The wooden’s diverse grain and tone work organically with the panorama, permitting the home to age gracefully, very similar to a pure aspect in its personal habitat.
For extra data on the Redwood Home or Studio Terpeluk, go to studioterpeluk.com.
